{"id":1261,"date":"2025-12-01T05:18:06","date_gmt":"2025-12-01T09:18:06","guid":{"rendered":"http:\/\/blogs.ubalt.edu\/welter\/?page_id=1261"},"modified":"2025-12-01T19:28:18","modified_gmt":"2025-12-01T23:28:18","slug":"poetry-archive","status":"publish","type":"page","link":"https:\/\/blogs.ubalt.edu\/welter\/poetry-archive\/","title":{"rendered":"Poetry Archive"},"content":{"rendered":"\r\n

Poetry<\/h1>\r\n\r\n\r\n\r\n

Fall 2025<\/h2>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n
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BIG BANG<\/strong> Lynn Thayer<\/em><\/a><\/p>\r\n\r\n\r\n\r\n

“It\u2019s your voice and it\u2019s not. Your body and not.
Between flesh and mind, love and friendship”<\/em><\/p>\r\n<\/div>\r\n

\"\"<\/a><\/figure>\r\n<\/div>\r\n

\r\n\r\n<\/h2>\r\n
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DISPLACED MONARCHS<\/strong> Brigittine French<\/em><\/a><\/p>\r\n\r\n\r\n\r\n

“we, farmers\u2019 daughters who became their mothers,
with certitude that books
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 dates
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 and equality”<\/em><\/p>\r\n<\/div>\r\n

\"\"<\/a><\/figure>\r\n<\/div>\r\n

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PASSING<\/strong> Sara Cline<\/em><\/a><\/p>\r\n\r\n\r\n\r\n

“an hour to kill, an hour to spare
I have mercy on my hours”<\/em><\/p>\r\n<\/div>\r\n

\"\"<\/a><\/figure>\r\n<\/div>\r\n

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THREE WORDS<\/strong> Ghazal Azad Jahan<\/em><\/a><\/p>\r\n\r\n\r\n\r\n

“what do waves whisper? \/ to be loved \/ enough \/ that i could scatter”<\/em><\/p>\r\n<\/div>\r\n

\"\"<\/a><\/figure>\r\n<\/div>\r\n

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FULL MOON OVER I-40<\/strong> Ty Zhang<\/em><\/a><\/p>\r\n\r\n\r\n\r\n

“You glimpsed the truth,
you think,
at least part of it,
sitting at work today\u2013
through a window and a door<\/em>“<\/p>\r\n<\/div>\r\n

\"\"<\/a><\/figure>\r\n<\/div>\r\n

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PACKARD<\/strong> Selen Frantz<\/em><\/a><\/p>\r\n\r\n\r\n\r\n

“We stumble over the barrier and into a world only remembered by forbidden feet and the nozzle
of a spray can. Our words fill the air around us, bouncing off the flat walls and down<\/em>“<\/p>\r\n<\/div>\r\n

\"\"<\/a><\/figure>\r\n<\/div>\r\n

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THE ARITHMETIC OF AFTER<\/strong> Meg Taylor<\/em><\/a><\/p>\r\n\r\n\r\n\r\n

“A stubbed toe can split a day,
so can a birth,
so can silence finally broken.<\/em>“<\/p>\r\n<\/div>\r\n

\"\"<\/a><\/figure>\r\n<\/div>\r\n

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IN JAPANESE MEMORIAM<\/strong> Wakako Ueshima<\/em><\/a><\/p>\r\n\r\n\r\n\r\n

“One of three hundred sixty-five,
immortalized
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0reduced
now the lonely One”<\/em><\/p>\r\n<\/div>\r\n

\"\"<\/a><\/figure>\r\n<\/div>\r\n

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BARREN<\/strong> Jennifer Keith<\/em><\/a><\/p>\r\n\r\n\r\n\r\n

“no clay feet: airborne in a dust devil
no place for light
or holding water,<\/em>“<\/p>\r\n<\/div>\r\n

\"\"<\/a><\/figure>\r\n<\/div>\r\n

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POST RETIREMENT SYNDROME<\/strong> Daniel Edward Moore<\/em><\/a><\/p>\r\n\r\n\r\n\r\n

“Who would have thought these days would find me,
hypersensitive, easy to caress, like a toothbrush<\/em>“<\/p>\r\n<\/div>\r\n

\"\"<\/a><\/figure>\r\n<\/div>\r\n

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GHAZAL FOR NEW YORK CITY<\/strong> Erika Gill<\/em><\/a><\/p>\r\n\r\n\r\n\r\n

“in Central Park I melt, slowly by stages, into a frozen strawberry lemonade
outside of Strawberry fields a sudden void scoops my soul into concavity<\/em>“<\/p>\r\n<\/div>\r\n

\"\"<\/a><\/figure>\r\n<\/div>\r\n

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HOWLIN’ WOLF<\/strong> Jianqing Zheng<\/em><\/a><\/p>\r\n\r\n\r\n\r\n

“Howlin\u2019 Wolf\u2019s
wang dang doodle
boomeranging<\/em><\/p>\r\n\r\n\r\n\r\n

in a somersault
all street long<\/em>“<\/p>\r\n<\/div>\r\n

\"\"<\/a><\/figure>\r\n<\/div>\r\n

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SECOND SHIFT<\/strong> Sarah Ellis<\/em><\/a><\/p>\r\n\r\n\r\n\r\n

“Here, the parking lot is flooding. Seeping
into the soles of my boots.<\/em>“<\/p>\r\n<\/div>\r\n

\"\"<\/a><\/figure>\r\n<\/div>\r\n

\r\n\r\n<\/h2>\r\n

\u00a0<\/p>\r\n

Fall 2024<\/h2>\r\n

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\"\"\r\n
Tanka for Sizing Up
Manhood<\/a>
<\/a>Carol Barrett<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n
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\"\"\r\n
Leave It in the Desert<\/a>
<\/a>F.S. Blake<\/figcaption>\r\n<\/figure>\r\n\r\n\r\n\r\n

 <\/p>\r\n<\/div>\r\n\r\n\r\n\r\n

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Motion Capture<\/a>
<\/a>Ace Boggess<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n

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The Quiet Rearrangement<\/a>
Maudie Bryant<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n
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Aunt Lynn’s Painted Ladies<\/a>
Rebecca Dietrich<\/figcaption>\r\n<\/figure>\r\n\r\n\r\n\r\n

 <\/p>\r\n<\/div>\r\n\r\n\r\n\r\n

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To What Was Once A Sparrow<\/a>
<\/a>Ryan Dradzynski<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n

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plu 4053<\/a>
Michele Evans<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n
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Gramma’s House<\/a>
<\/a>E.C. Gannon<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n
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Delayed Gratification<\/a>
<\/a>Shannon Frost Greenstein<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n

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Man With a Parrot<\/a>
<\/a>Ryan Harper<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n
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Dear Water<\/a>
<\/a>Kristen Holt-Browning<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n
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Decompression Sickness<\/a>
<\/a>Katelynn Humbles<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n

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tears of the kingdom<\/a>
<\/a>nat raum<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n
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FUNNY THAT YOU SAY IF I EVER GO MISSING<\/a>
<\/a>Abhijit Sarmah<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n
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Ghost Music<\/a>
<\/a>Sharon Scholl<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n

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Obligations<\/a>
<\/a>Sharon Scholl<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n
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GREEN VELVET ALOCASIA<\/a>
Hugo S. Sim\u00f5es<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n
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\u201clisten you noodlers (not for catfish)\u201d<\/a>
<\/a>Mike Sluchinski<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n

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#JusticeForSonyaMassey<\/a>
Kendryk Youngblood<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n
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\"\"\r\n
The Body<\/a>
Gabriela Z\u00e1borszky<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n
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Soul Deep<\/a>
<\/a>Jianqing Zheng<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n

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\u00a0<\/h2>\r\n

Fall 2023<\/h2>\r\n

<\/p>\r\n

The Soul Has No Gender<\/a>
Ann Christine Tabaka<\/p>\r\n

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Cicatrix Shells<\/a>
Adrianna Gordey<\/p>\r\n

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Protector<\/a>
Steve Castro<\/p>\r\n

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Holes<\/a>
Shana Ross<\/p>\r\n

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Encounter<\/a>
Ramzi Albert\u00a0Rihani<\/p>\r\n

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Audre<\/a>
Dorothy\u00a0Johnson-Laird<\/p>\r\n

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Wild Flower<\/a>
Roodly Laurore tr. Jerrice J. Baptiste<\/p>\r\n

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mid September<\/a>
Travis Stephens<\/p>\r\n

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Life in the Mississippi Delta<\/a>
Jianqing Zheng<\/p>\r\n

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jungle concrete<\/a>
Tauwan Patterson<\/p>\r\n

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Hypocrisy of the Lunch Hour<\/a>
James B. Nicola<\/p>\r\n

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& this is my secret work, to be worthy<\/a>
nat raum<\/p>\r\n

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“Contradictors”<\/a>
Rich\u00a0Glinnen<\/p>\r\n

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ICY IN SPOTS<\/a>
Pamela Nocerino<\/p>\r\n

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Good Fortune<\/a>
Marc Alan\u00a0Di Martino<\/p>\r\n

<\/p>\r\n

Fall 2022<\/h2>\r\n\r\n\r\n\r\n
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\"An\r\n
The Incident
<\/a>Angelos Berios<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n
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\"\"\r\n
I’m a Stranger Here Myself<\/a>
Brian Builta<\/em><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n
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\"Young\r\n
Barbershop<\/a>
Robert Piazza<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n
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\"Bar<\/a>\r\n
Drinking with Junkyard Dogs<\/a>
Chase Dimock<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n
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\"\"<\/a><\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n

Art Therapy<\/a>
Rhienna Ren\u00e9e Guedry<\/p>\r\n<\/div>\r\n\r\n\r\n\r\n

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\"\"<\/a><\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n

As if in Heat
<\/a>Alorah Welti<\/p>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n

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\"Painting<\/a><\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n

Crab Canon<\/a>
Michael Waterson<\/p>\r\n<\/div>\r\n\r\n\r\n\r\n

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\"side<\/a><\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n

Hopeless Tasks<\/a>
Joseph Hardy<\/p>\r\n<\/div>\r\n\r\n\r\n\r\n

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\"\"<\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n

In Coutrakon’s Laboratory
<\/a>Isabelle Ylo<\/p>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n

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\"\"<\/a><\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n

Inverted<\/a>
Christine Davis<\/p>\r\n<\/div>\r\n\r\n\r\n\r\n

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\"\"<\/a><\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n

my crayola markers may just outlive me
<\/a>Abbie Doll<\/p>\r\n<\/div>\r\n\r\n\r\n\r\n

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\"\"<\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n

Narwhal vs Unicorn
<\/a>Rishi Agrawal<\/p>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n

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\"\"<\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n

No Scones
<\/a>Noah Berlatsky<\/p>\r\n<\/div>\r\n\r\n\r\n\r\n

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\"Blue-toned<\/a><\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n

Protective: A Song for Mixed Girl Hair<\/a>
<\/a>Daniela Paraguya Sow<\/p>\r\n<\/div>\r\n\r\n\r\n\r\n

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\"Seashore<\/a><\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n

Sea<\/a>
Kevin Griffin<\/p>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n

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\"Black<\/a><\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n

Ten Years After She Pawned Her Shadow
<\/a>Amy Wang<\/p>\r\n<\/div>\r\n\r\n\r\n\r\n

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Ombromanie<\/a>
Karina Guardiola-Lopez<\/p>\r\n<\/div>\r\n\r\n\r\n\r\n

\u00a0<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n

Fall 2021<\/h2>\r\n\r\n\r\n\r\n
\u00a0<\/div>\r\n\r\n\r\n\r\n

 <\/p>\r\n\r\n\r\n\r\n

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\"\"<\/a>\r\n
about a boy<\/span><\/a><\/strong>
Michael Passafiume<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n
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\"\"<\/a>\r\n
A Pregnancy Scare in Three Parts<\/span><\/a><\/strong>
Cathy Cook<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n
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\"\"<\/a>\r\n
The Arcade<\/span><\/a><\/strong>
<\/strong>Jeffrey Alfier<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n
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\"\"<\/a>\r\n
Aubade to My Lover\u2019s Tattoo<\/span><\/a><\/strong>
<\/strong>Larissa Larson<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n
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\"\"<\/a>\r\n
Bands of Honey<\/span><\/strong><\/a>
<\/a>Ann Kathryn Kelly<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n
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\"\"<\/a>\r\n
Body Orchard<\/span><\/a><\/strong>
<\/strong>Sandeep Kumar Mishra<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n
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\"\"<\/a>\r\n
December (2020)<\/span><\/a><\/strong>
<\/strong>Stuti Pachisia<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n
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\"\"<\/a>\r\n
Eating a Blackberry in Noon Sunlight on a Wednesday in December<\/span><\/a><\/strong>
<\/strong>Larissa Larson<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n
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\"\"<\/a>\r\n
Girl Bird Ready<\/span><\/a><\/strong>
<\/strong>Jessica Barksdale<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n
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\"\"<\/a>\r\n
I Was Named After Halle\u2019s Comet, but It\u2019s Spelled Wrong\u00a0<\/span><\/a><\/strong>
Hayley Bowen<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n
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\"\"<\/a>\r\n
I Woke Up, I Ate Flowers<\/span><\/a><\/strong>
<\/strong>Allisa Cherry<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n
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\"\"<\/a>\r\n
I\u2019ve had enough of Thomas Cromwell<\/span><\/a><\/strong>
Mercedes Lawry<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n
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On translation<\/span><\/a><\/strong>
Clara Burghelea<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n
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\"\"<\/a>\r\n
Pardon Me, Sir, but do you have a Moment to Talk About our Lord and Savior, Signe?<\/span><\/a>
<\/strong>Robert Beveridge<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n
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\"\"<\/a>\r\n
Scorpio Cento<\/span><\/a><\/strong>
<\/strong>Lauren Campbell<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n
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\"\"<\/a>\r\n
Sprunny<\/span><\/a><\/strong>
<\/strong>Dana Miller<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n
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\"\"<\/a>\r\n
Still,<\/span><\/a><\/strong>
<\/strong>Ahrend Torrey<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n
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\"\"<\/a>\r\n
WWJD<\/span><\/a><\/strong>
<\/strong>Michelle Meyer<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n

Summer 2021<\/h2>\r\n

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Managing Men<\/span><\/a><\/strong>
Tesa Flores<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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Words<\/span><\/a><\/strong>
Daniel Pettee<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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Time\u2019s Capsule<\/span><\/a><\/strong>
Daniel Pettee<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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The Opposite of Knowledge<\/span><\/a><\/strong>
Michael Atkinson<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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the absence of birds<\/span><\/a><\/strong> Lawdenmarc Decamora

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Vacancy<\/span><\/a><\/strong>
Tak Erzinger<\/span><\/span>\r\n

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Calendar Girl<\/span><\/a><\/strong>
Tobi Alfier<\/span><\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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Cloud Amoeba<\/span><\/a><\/strong>
Andrew Jones <\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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Existential<\/span><\/a><\/strong>
Lee Landau <\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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\u00a0<\/div>\r\n

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Awash in Grace<\/span><\/a><\/strong>
Matt Schroeder<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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Our Kind<\/span><\/a><\/strong>
Clare Belber<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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\u00a0<\/div>\r\n

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Spring 2021<\/h2>\r\n

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Rehearsal<\/span><\/a><\/strong>
John Stocks<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n
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We Fell Upside Down, Into the Night<\/span><\/a><\/strong>
Brian Lutz<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n
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Friends<\/span><\/a><\/strong>
Shurouq Ibrahim<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n

Fall 2020<\/h2>\r\n

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Things to do in Quarantine<\/span><\/a><\/strong>
Marion Winik (Special Contributor)<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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A Brief History <\/strong><\/span>
of Tomorrow<\/strong><\/span><\/a>
Rae Rozman<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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Boiled Rocks<\/span><\/a><\/strong>
Caitie Young<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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Generations<\/span><\/a><\/strong>
Caitie Young<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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Mamacita<\/span><\/a><\/strong>
Rae Rozman<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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Nothing\u2019s Lost That Can\u2019t Be Found<\/span><\/a><\/strong>
Paul Bluestein<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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Parturition<\/span><\/a><\/strong>
Daisy Bassen<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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Personals<\/span><\/a><\/strong><\/strong>
<\/strong>Robert L. Penick<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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The Butcher & Wild Child<\/span><\/a><\/strong>
Stephen Scott Whitaker<\/span><\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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 <\/p>\r\n<\/div>\r\n<\/div>","protected":false},"excerpt":{"rendered":"

Poetry Fall 2025 \u00a0 BIG BANG Lynn Thayer “It\u2019s your voice and it\u2019s not. Your body and not.Between flesh and mind, love and friendship” DISPLACED MONARCHS Brigittine French “we, farmers\u2019 Continue Reading →<\/a><\/p>\n","protected":false},"author":3221,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blogs.ubalt.edu\/welter\/wp-json\/wp\/v2\/pages\/1261"}],"collection":[{"href":"https:\/\/blogs.ubalt.edu\/welter\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ubalt.edu\/welter\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ubalt.edu\/welter\/wp-json\/wp\/v2\/users\/3221"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ubalt.edu\/welter\/wp-json\/wp\/v2\/comments?post=1261"}],"version-history":[{"count":154,"href":"https:\/\/blogs.ubalt.edu\/welter\/wp-json\/wp\/v2\/pages\/1261\/revisions"}],"predecessor-version":[{"id":6062,"href":"https:\/\/blogs.ubalt.edu\/welter\/wp-json\/wp\/v2\/pages\/1261\/revisions\/6062"}],"wp:attachment":[{"href":"https:\/\/blogs.ubalt.edu\/welter\/wp-json\/wp\/v2\/media?parent=1261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}