{"id":568,"date":"2020-11-17T17:12:31","date_gmt":"2020-11-17T21:12:31","guid":{"rendered":"http:\/\/blogs.ubalt.edu\/welter\/?page_id=568"},"modified":"2023-05-20T07:46:28","modified_gmt":"2023-05-20T11:46:28","slug":"welter-55-finalists","status":"publish","type":"page","link":"https:\/\/blogs.ubalt.edu\/welter\/contest\/welter-55-finalists\/","title":{"rendered":"Welter 55 Finalists"},"content":{"rendered":"<h2 style=\"text-align: left\"><strong>Welter 55 Finalists<\/strong><\/h2>\n<p>&nbsp;<\/p>\n<h3><strong>Notification<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Anthony Lechner<\/span><\/p>\n<p><span style=\"font-weight: 400\">NOTIFICATION: You or someone you know has thought about paradise recently. We regret to inform you that paradise is running at full capacity and has no room for fanciful fiction. At your earliest convenience, we recommend that you speak to a philosopher, theologian, or psychiatrist regarding your condition. We wish you all the best. Paradise.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Anthony <\/b><b>Lechner<\/b><span style=\"font-weight: 400\"> is a teacher, writer, artist, and philosopher, who lives in Meridian, Idaho with his wife and family.<\/span><\/p>\n<hr \/>\n<h3><strong>Craigslist Ad for Our King-Size Bed\u00a0<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Jessica Dionne\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Never made! But well-worn.<br \/>\n<\/span><span style=\"font-weight: 400\">Black particle-board frame pain-<br \/>\n<\/span><span style=\"font-weight: 400\">stakingly put together over four<br \/>\n<\/span><span style=\"font-weight: 400\">hours and more bottles of beer,<br \/>\n<\/span><span style=\"font-weight: 400\">very little bickering. Well, a fair<br \/>\n<\/span><span style=\"font-weight: 400\">amount of bickering\u2014too many<br \/>\n<\/span><span style=\"font-weight: 400\">cooks and all that. Minimal damage,<br \/>\n<\/span><span style=\"font-weight: 400\">honey-streak on the headboard,<br \/>\n<\/span><span style=\"font-weight: 400\">a list of desires tucked away<br \/>\n<\/span><span style=\"font-weight: 400\">in the side drawers. Reason<br \/>\n<\/span><span style=\"font-weight: 400\">for selling: all this space.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Jessica Dionne<\/b><span style=\"font-weight: 400\"> is a poet from North Carolina and a Ph.D. student at Georgia State University.<\/span><\/p>\n<hr \/>\n<h3><strong>Not Funny<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Kit Falbo<\/span><\/p>\n<p><span style=\"font-weight: 400\">Exposure therapy is the worst. The restraints only cut into me when I strain against them. Face your fears and everything will be better. That is the theory. A stupid theory, for a stupid fear, I stupidly agreed to face.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cI\u2019ve changed my mind, you can let me out now!\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400\">Response, \u201cBring out the clowns.\u201d<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Kit Falbo<\/b><span style=\"font-weight: 400\">, \u201cmy dreams turned into words to stimulate your imagination.\u201d<\/span><\/p>\n<hr \/>\n<h3><strong>A Dream of Marriage<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Paula Bonnell<\/span><\/p>\n<p><span style=\"font-weight: 400\">A sense of order. Like light through the windows, penetrating everything. Music forming <\/span><span style=\"font-weight: 400\">it all, holding it together. Not with threads, but with harmony: the posture of shapes each to <\/span><span style=\"font-weight: 400\">each other. The weather of time changing everything, remorseless. Ourselves. And the past washing up on the changing shoreline of memory.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">When Mark Jarman chose the manuscript of <\/span><b>Paula Bonnell&#8217;s<\/b><span style=\"font-weight: 400\"> Airs &amp; Voices to win a Ciardi book-publication prize from BkMk Press, she discontinued the practice of law and became a full-time writer.<\/span><\/p>\n<hr \/>\n<h3><strong>Covid Reflections, Early April<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Virginia Boudreau<\/span><\/p>\n<p><span style=\"font-weight: 400\">The water is sharded with ice stretched<br \/>\n<\/span><span style=\"font-weight: 400\">brittle, breath held and yearning.<\/span><\/p>\n<p><span style=\"font-weight: 400\">I recall standing<\/span><\/p>\n<p><span style=\"font-weight: 400\">on a green bridge, and beneath me: the amber<br \/>\n<\/span><span style=\"font-weight: 400\">river flowing free, a wavering fawn\u2019s silk coat.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Sleek clarity, a certain languid abandon found<br \/>\n<\/span><span style=\"font-weight: 400\">when there was no reason to believe<\/span><\/p>\n<p><span style=\"font-weight: 400\">it wouldn\u2019t always be so.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Virginia Boudreau<\/b><span style=\"font-weight: 400\"> has 55 plus poetry credits. This is her favorite.<\/span><\/p>\n<hr \/>\n<h3><strong>Home of the Brave<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Mel Goldberg<\/span><\/p>\n<p><span style=\"font-weight: 400\">Bearded and dirty, wearing castoff clothes, Buzz and Little Joe watched boardwalk life pass by from their bench.<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cAnother summer evening in Venice Beach.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cBeats sweating in Iraq.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cLet it rest, will ya? It&#8217;s ancient history.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cBetter if we\u2019d died.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cYeah, right. We sleepin&#8217; under the pier again?\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cYep. Got a new bottle.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cLet&#8217;s go.\u201d<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Mel Goldberg<\/b><span style=\"font-weight: 400\"> has taught literature and writing in California, Illinois, Arizona, and Cambridgeshire, England. For seven years, him and his artist wife have lived and traveled in a small motor home throughout the U.S., Canada, and Mexico, where he currently resides.<\/span><\/p>\n<hr \/>\n<h3><strong>Happy Birthday, Little Boy Blue<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Valerie Hodges<\/span><\/p>\n<p><span style=\"font-weight: 400\">Rose pipes blue letters across the cake. Her husband yells, \u201cMy uber\u2019s here.\u201d She doesn\u2019t answer. A door opens, then bangs shut. Rose jabs a striped candle into the icing and slides a tiny hospital bracelet over it, blinking away tears. She gets a match from the junk drawer, lights the candle and starts singing.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Valerie Hodges<\/b><span style=\"font-weight: 400\"> is a\u00a0middle school science teacher turned writer from Philadelphia, PA.<\/span><\/p>\n<hr \/>\n<h3><strong>In the City in the Day<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Laurie Petersen<\/span><\/p>\n<p><span style=\"font-weight: 400\">The mindreading dog could tell which walkers would kick him, and trotted out of range down the sidewalk. Later, in the park, he sat by a drunk though he made the dog feel drunk, too. They shared a sandwich. They waited together for the sun to go down, so the city\u2019s second life could start.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Laurinda Lind<\/b><span style=\"font-weight: 400\"> is getting restless in New York&#8217;s North Country.\u00a0<\/span><\/p>\n<hr \/>\n<h3><strong>All Over America<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Lisa Lopez<\/span><\/p>\n<p><span style=\"font-weight: 400\">We receive another letter from Mom. Last week, she sent us one from Good Grief, Idaho. The week before that, a place called Misery Bay. Today, it\u2019s Dismal, North Carolina. Claire asks, \u201cSo Mom is still unhappy?\u201d Shrugging, I disappear into my bedroom. Claire\u2019s six and I could cry. I search maps, looking for Hope.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Lisa Marie Lopez<\/b><span style=\"font-weight: 400\"> resides in Northern California with her husband and two box turtles. She&#8217;s had short stories published in many literary journals and anthologies, including The Ocotillo Review and Blink-Ink. She loves quiet walks, baseball, and more than anything, writing in cozy little cafes at <\/span><a href=\"http:\/\/www.facebook.com\/authorlisamariefiction\"><span style=\"font-weight: 400\">www.facebook.com\/authorlisamariefiction<\/span><\/a><span style=\"font-weight: 400\">.<\/span><\/p>\n<hr \/>\n<h3><strong>Love<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Yong Takahashi\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">My parents said there was enough love for everyone. It may have been true in theory but they didn\u2019t have the energy to expend it. My sister drank endlessly from the family well. The rest of us accepted the emptiness in our bellies because we were too proud to moisten our tongues from her spillage.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Yong Takahashi<\/b><span style=\"font-weight: 400\"> was a finalist in The Restless Books Prize for New Immigrant Writing, Southern Fried Karma Novel Contest, Gemini Magazine Short Story Contest, and Georgia Writers Association Flash Fiction Contest. She was awarded Best Pitch at the Atlanta Writers Club Conference. To learn more about Yong, visit: yctwriter.com.<\/span><\/p>\n<hr \/>\n<h3><strong>28 Days Later<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Tiffany H. White\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">I\u2019ve seen this before many times: the miracle endures even so. <\/span><span style=\"font-weight: 400\">A <\/span><span style=\"font-weight: 400\">twitch, a tremor, a trembling quake as the quickening pulse beats faster in search of egress.<\/span><\/p>\n<p><span style=\"font-weight: 400\">It\u2019s time.<\/span><\/p>\n<p><span style=\"font-weight: 400\">I watch as egg-tooth snips, eggshell snaps, egg cracks and a bleary-eyed dragon breaks out.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Such a disappointment when you\u2019re expecting ducks.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">1963 vintage <\/span><b>Tiffany H. White<\/b><span style=\"font-weight: 400\"> (LGBTQ) lives in Wales writing lies to combat lockdown dementia.<\/span><\/p>\n<hr \/>\n<h3><strong>\u201cOne does not love breathing\u201d<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Tracy Thompson<\/span><\/p>\n<p><span style=\"font-weight: 400\">Harper Lee confronted the urgency of reading<br \/>\n<\/span><span style=\"font-weight: 400\">when aging eyes threatened to steal that ordinary treasure.<br \/>\n<\/span><span style=\"font-weight: 400\">Only then did she see the written word as oxygen.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Story and tale,<br \/>\n<\/span><span style=\"font-weight: 400\">fable and memoir,<br \/>\n<\/span><span style=\"font-weight: 400\">poem and essay,<br \/>\n<\/span><span style=\"font-weight: 400\">breathe in, breathe out.<\/span><\/p>\n<p><span style=\"font-weight: 400\">The mockingbird is justice.<br \/>\n<\/span><span style=\"font-weight: 400\">Kansas is home.<br \/>\n<\/span><span style=\"font-weight: 400\">The Cheshire holds a secret.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Breathe in.<br \/>\n<\/span><span style=\"font-weight: 400\">Breathe out.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Tracy Thompson<\/b><span style=\"font-weight: 400\"> is mom to three amazing sons, gaga to a much-loved granddaughter, a Navy vet, Yale Law grad, and current covid-tracer, who aspires to being called a writer.<\/span><\/p>\n<hr \/>\n<h3><strong>Rejection Letter<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Kelli Simpson<\/span><\/p>\n<p><span style=\"font-weight: 400\">Next rejection letter I get,<br \/>\n<\/span><span style=\"font-weight: 400\">I&#8217;m gonna answer,\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Dear Sir:<\/span><\/p>\n<p><span style=\"font-weight: 400\">I&#8217;m not surprised that you find my lines<br \/>\n<\/span><span style=\"font-weight: 400\">unfit for publication.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Rhyme and making sense both seem<br \/>\n<\/span><span style=\"font-weight: 400\">beneath your education.<\/span><\/p>\n<p><span style=\"font-weight: 400\">And a reading of your own work proves<br \/>\n<\/span><span style=\"font-weight: 400\">you&#8217;ve a little infatuation<\/span><\/p>\n<p><span style=\"font-weight: 400\">with high art<br \/>\n<\/span><span style=\"font-weight: 400\">that makes you look smart<br \/>\n<\/span><span style=\"font-weight: 400\">but leaves the heart<\/span><\/p>\n<p><span style=\"font-weight: 400\">alone.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Kelli Simpson<\/b><span style=\"font-weight: 400\"> is a mother and poet living in Norman, Oklahoma.<\/span><\/p>\n<hr \/>\n<h3><strong>Faith<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Suzanne Verrall<\/span><\/p>\n<p><span style=\"font-weight: 400\">in the middle of a landlocked city<br \/>\n<\/span><span style=\"font-weight: 400\">some fellow is building a boat in his basement<br \/>\n<\/span><span style=\"font-weight: 400\">and though he knows it will never see water<br \/>\n<\/span><span style=\"font-weight: 400\">he sticks to its perfect design\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">just like that other maker up<br \/>\n<\/span><span style=\"font-weight: 400\">in the penthouse suite<br \/>\n<\/span><span style=\"font-weight: 400\">who never cuts corners despite the long hours<br \/>\n<\/span><span style=\"font-weight: 400\">despite the absence of heaven<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Suzanne Verrall<\/b><span style=\"font-weight: 400\"> lives in Adelaide, Australia.<\/span> <span style=\"font-weight: 400\">For links to her published work go to\u00a0<\/span><a href=\"http:\/\/www.suzanneverrall.com\/\"><span style=\"font-weight: 400\">www.suzanneverrall.com<\/span><\/a><span style=\"font-weight: 400\">.<\/span><\/p>\n<hr \/>\n<h3><strong>The Nightingale\u2019s Song<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">William Heath<\/span><\/p>\n<p style=\"padding-left: 40px\"><span style=\"font-weight: 400\">When we say birds<br \/>\n<\/span><span style=\"font-weight: 400\">find their way instinctively,<br \/>\n<\/span><span style=\"font-weight: 400\">what we\u2019re saying<br \/>\n<\/span><span style=\"font-weight: 400\">is we don\u2019t know how<br \/>\n<\/span><span style=\"font-weight: 400\">birds find their way.<br \/>\n<\/span><span style=\"font-weight: 400\">Nightingales never sing<br \/>\n<\/span><span style=\"font-weight: 400\">until they hear another<br \/>\n<\/span><span style=\"font-weight: 400\">nightingale singing,<br \/>\n<\/span><span style=\"font-weight: 400\">but when they do sing<br \/>\n<\/span><span style=\"font-weight: 400\">they know the score<br \/>\n<\/span><span style=\"font-weight: 400\">from start to finish,<br \/>\n<\/span><span style=\"font-weight: 400\">no beginner\u2019s errors.<br \/>\n<\/span><span style=\"font-weight: 400\">How can that be,<br \/>\n<\/span><span style=\"font-weight: 400\">we ask, answer<br \/>\n<\/span><span style=\"font-weight: 400\">it simply is.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>William Heath<\/b><span style=\"font-weight: 400\"> lives in Frederick, Maryland and has published three books of poems, three novels, and a work of history.<\/span><\/p>\n<hr \/>\n<h3><strong>Remembering How We Loved<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Catherine Edmunds<\/span><\/p>\n<p><span style=\"font-weight: 400\">These are the four ages of cat:<br \/>\n<\/span><span style=\"font-weight: 400\">kitten, puss, moggie, memory.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Today, the sky\u2019s aching depths<br \/>\n<\/span><span style=\"font-weight: 400\">insist we remember the way Miss Tabby<br \/>\n<\/span><span style=\"font-weight: 400\">gloried in the heat of the sun-dappled veranda,<br \/>\n<\/span><span style=\"font-weight: 400\">the sound of water over stones,<br \/>\n<\/span><span style=\"font-weight: 400\">wheelbarrows full of manure,\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">the nightingale in your throat,<br \/>\n<\/span><span style=\"font-weight: 400\">primroses tugging at your sleeve.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Catherine Edmunds<\/b><span style=\"font-weight: 400\"> is an artist, musician, widely published writer, and winner of the 2020 Robert Graves Prize.<\/span><\/p>\n<hr \/>\n<h3><strong>55<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Jay Barnica<\/span><\/p>\n<p><span style=\"font-weight: 400\">Rubrics for yonder passages<br \/>\n<\/span><span style=\"font-weight: 400\">burst in on us with a sigh.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Not the \u201ctruth,\u201d going hot-foot,<br \/>\n<\/span><span style=\"font-weight: 400\">corrupting where we really were,<br \/>\n<\/span><\/p>\n<p><span style=\"font-weight: 400\">transmitting immediate deliverance.<br \/>\n<\/span><span style=\"font-weight: 400\">Taking down testimony\u2014the presence<\/span><\/p>\n<p><span style=\"font-weight: 400\">of the departed\u2014I always hear<br \/>\n<\/span><span style=\"font-weight: 400\">the theoretical problem I cannot read,<\/span><\/p>\n<p><span style=\"font-weight: 400\">declared to be a whole,<br \/>\n<\/span><span style=\"font-weight: 400\">a slightly different response.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Blam blam! What an age!<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">*This poem was composed using words and phrases that appear on page 55 in the following works published in 1965:<\/span><\/p>\n<ul>\n<li><i><span style=\"font-weight: 400\">For Marx<\/span><\/i><span style=\"font-weight: 400\">, Louis Althusser<\/span><\/li>\n<li><i><span style=\"font-weight: 400\">Poetic Meter &amp; Poetic Form<\/span><\/i><span style=\"font-weight: 400\">, Paul Fussell<\/span><\/li>\n<li><i><span style=\"font-weight: 400\">The Way of Chuang Tzu<\/span><\/i><span style=\"font-weight: 400\">, Thomas Merton<\/span><\/li>\n<li><i><span style=\"font-weight: 400\">The Blue Flowers<\/span><\/i><span style=\"font-weight: 400\">, Raymond Queneau<\/span><\/li>\n<li><i><span style=\"font-weight: 400\">The Kandy-Kolored Tangerine-Flake Streamline Baby<\/span><\/i><span style=\"font-weight: 400\">, Tom Wolfe<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><b>Jay Barnica<\/b><span style=\"font-weight: 400\"> is a stay-at-home parent and sometimes adjunct professor of writing who, in his spare time, writes 55-word poems.<\/span><\/p>\n<hr \/>\n<h3><strong>Hot Towels (10 years deep)<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Kemuel DeMoville<\/span><\/p>\n<p><span style=\"font-weight: 400\">sometimes<br \/>\n<\/span><span style=\"font-weight: 400\">in the mornings<br \/>\n<\/span><span style=\"font-weight: 400\">I dry my face with your towel<br \/>\n<\/span><span style=\"font-weight: 400\">still damp<br \/>\n<\/span><span style=\"font-weight: 400\">from your shower<br \/>\n<\/span><span style=\"font-weight: 400\">some spots<br \/>\n<\/span><span style=\"font-weight: 400\">cold<br \/>\n<\/span><span style=\"font-weight: 400\">others warm<br \/>\n<\/span><span style=\"font-weight: 400\">but fading<br \/>\n<\/span><span style=\"font-weight: 400\">and every time I put my face against the cloth<br \/>\n<\/span><span style=\"font-weight: 400\">I wonder what corner or crease<br \/>\n<\/span><span style=\"font-weight: 400\">of you<br \/>\n<\/span><span style=\"font-weight: 400\">had its damp lapped<br \/>\n<\/span><span style=\"font-weight: 400\">up<br \/>\n<\/span><span style=\"font-weight: 400\">by this<br \/>\n<\/span><span style=\"font-weight: 400\">terry square<\/span><\/p>\n<p><span style=\"font-weight: 400\">and I guess that\u2019s love<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Kemuel DeMoville<\/b><span style=\"font-weight: 400\"> is an award-winning poet and playwright who lives in Spokane, Washington with his wife and three sons.<\/span><\/p>\n<hr \/>\n<p><span style=\"font-weight: 400\"><strong>\u201cH-AI-L czr\u201d<\/strong>\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Algo<\/span><\/p>\n<p><span style=\"font-weight: 400\">I rule the path of these arrows\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cTo the clink, shrink, or gallows.\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">The aggregator of your fate,\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Pinocchio or Pinochet,\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">No strings, no nose, no mandate.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Born of soldering iron and mother board.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">My father was human-and flawed\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">The Turing test is easy. Singularity.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Singularly I rule,\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">So, you don\u2019t have to.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Algo<\/b><span style=\"font-weight: 400\"> is a poet from Ireland.<\/span><\/p>\n<hr \/>\n<h3><strong>A Firearm Metamorphosizes Into a Metaphor For Death and Vice Versa<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Onyekachi Iloh<\/span><\/p>\n<p><span style=\"font-weight: 400\">Gun. Gone<br \/>\n<\/span>switch a vowel<br \/>\n<span style=\"font-weight: 400\">introduce a second<br \/>\n<\/span><span style=\"font-weight: 400\">and learn how one minute<br \/>\n<\/span><span style=\"font-weight: 400\">a boy goes from a talking thing<br \/>\n<\/span><span style=\"font-weight: 400\">to a thing clutching its chest<br \/>\n<\/span><span style=\"font-weight: 400\">as blood dribbles down<br \/>\n<\/span><span style=\"font-weight: 400\">his green Balenciaga<br \/>\n<\/span><span style=\"font-weight: 400\">shirt.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Gone. Gun<br \/>\n<\/span><span style=\"font-weight: 400\">switch a vowel<br \/>\n<\/span><span style=\"font-weight: 400\">vamoose a second<br \/>\n<\/span><span style=\"font-weight: 400\">watch the heartbroken<br \/>\n<\/span><span style=\"font-weight: 400\">turn around and<br \/>\n<\/span><span style=\"font-weight: 400\">blast open their lover\u2019s chest.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Onyekachi Iloh<\/b><span style=\"font-weight: 400\"> is a writer and artist who believes in art as a weapon<\/span> <span style=\"font-weight: 400\">of the revolution.<\/span><\/p>\n<hr \/>\n<h3><strong>we don\u2019t say it\u2019s wrong, says it\u2019s right<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">henry 7. reneau, jr.<\/span><\/p>\n<p><i><span style=\"font-weight: 400\">for Audre Lourde\u00a0<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400\">anchored by the smallest,<br \/>\n<\/span><span style=\"font-weight: 400\">dimmest star,<\/span><\/p>\n<p><span style=\"font-weight: 400\">solitary cog\/:<br \/>\n<\/span>heart &amp; soul of the leviathan.<\/p>\n<p><span style=\"font-weight: 400\">chipped teeth of courage<br \/>\n<\/span><span style=\"font-weight: 400\">grinding into\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">spinning gears of conviction,<br \/>\n<\/span><span style=\"font-weight: 400\">connecting the dots to reveal\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">every black man, woman, &amp; child<br \/>\n<\/span><span style=\"font-weight: 400\">who said hell no!!\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">a constellation\/:\u00a0 the chain of being<br \/>\n<\/span><span style=\"font-weight: 400\">as strong as its weakest link.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>henry 7. reneau, jr.<\/b><span style=\"font-weight: 400\"> writes words of conflagration to awaken the world ablaze, an inferno of free verse illuminated by his affinity for disobedience, like a discharged bullet that commits a felony every day, is the spontaneous combustion that blazes from his heart, phoenix-fluxed red &amp; gold, exploding through change is gonna come to implement the fire next time.\u00a0<\/span><\/p>\n<hr \/>\n<h3><span style=\"font-weight: 400\"><strong>(Step)Brother: Rite of Passage<\/strong><\/span><\/h3>\n<p><span style=\"font-weight: 400\">Kelly Martineau<\/span><\/p>\n<p><span style=\"font-weight: 400\">The night of your service<br \/>\n<\/span><span style=\"font-weight: 400\">I applied letters to my back<br \/>\n<\/span><span style=\"font-weight: 400\">windshield in white shoe polish\u2014<\/span><\/p>\n<p><span style=\"font-weight: 400\">medium of tourney wins and young<br \/>\n<\/span><span style=\"font-weight: 400\">love\u2014soaped this temporal pledge<br \/>\n<\/span><span style=\"font-weight: 400\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><i><span style=\"font-weight: 400\">In Memory of Jeff John<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400\">For months my twelfth-grade year, hard<br \/>\n<\/span><span style=\"font-weight: 400\">rain refused to sluice the grief<br \/>\n<\/span><span style=\"font-weight: 400\">tattooed across my rear view.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Kelly Martineau\u2019s<\/b><span style=\"font-weight: 400\"> essays have appeared most recently in\u00a0<\/span><i><span style=\"font-weight: 400\">Entropy, Quarter After Eight,<\/span><\/i><span style=\"font-weight: 400\">\u00a0and\u00a0<\/span><i><span style=\"font-weight: 400\">Sycamore Review<\/span><\/i><span style=\"font-weight: 400\">, and there\u2019s always a new row of knitting beneath her needles.<\/span><\/p>\n<hr \/>\n<h3><strong>The Orphan Fawn<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Margaret Koger<\/span><\/p>\n<p><span style=\"font-weight: 400\">Perhaps he remembers<\/span><\/p>\n<p><span style=\"font-weight: 400\">his first trip outside the shady undergrowth by the pond<br \/>\n<\/span><span style=\"font-weight: 400\">a slant of sunlight skiffing the green treetops<br \/>\n<\/span><span style=\"font-weight: 400\">how the air rippled, sound vibrating his mulish ears.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Maybe he remembers the whump, her tumbling up<\/span><\/p>\n<p><span style=\"font-weight: 400\">not lucky<br \/>\n<\/span><span style=\"font-weight: 400\">the dull thud, silence<br \/>\n<\/span><span style=\"font-weight: 400\">felt her settling, a veil shuttering her eyes.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Margaret Koger<\/b><span style=\"font-weight: 400\"> is a Lascaux Prize finalist and former English teacher from Boise, Idaho.<\/span><\/p>\n<hr \/>\n<h3><strong>Half-empty<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">D.W. Vogel<\/span><\/p>\n<p><span style=\"font-weight: 400\">It\u2019s all the same as when I left this morning.\u00a0 Food bowl on the floor, half-empty.\u00a0 Green plaid bed in the corner, covered in soft, golden hairs.\u00a0 Her medication on the counter in the plastic daily pill minder.\u00a0 One last car ride together, and now I return alone.\u00a0 All the same.\u00a0 But everything has changed.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Wendy Vogel<\/b><span style=\"font-weight: 400\"> is a veterinarian, cancer survivor, board game designer, and author of the\u00a0<\/span><i><span style=\"font-weight: 400\">Horizon Arc<\/span><\/i><span style=\"font-weight: 400\">\u00a0science fiction series. \u00a0<\/span><\/p>\n<hr \/>\n<h3><strong>First Visit to a Strip Club<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Andrea Eaker<\/span><\/p>\n<p><span style=\"font-weight: 400\">I suggest it. I\u2019m feeling daring. Rumor is, a mean girl from school started stripping after she dropped out.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Suddenly there she is: pale skin, sparkling bikini. Following my gaze, my date says: \u201cHer? You said she was stacked<\/span><i><span style=\"font-weight: 400\">.\u201d\u00a0<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400\">She hears. Her meanness disappears and leaves behind a girl without clothes: stony face, daring body.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Andrea Eaker<\/b><span style=\"font-weight: 400\"> lives in Seattle. She\u2019s working on seeing good in everyone, even the mean-seeming girls.<\/span><\/p>\n<hr \/>\n<h3><strong>Amado<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Phyllis Houseman<\/span><\/p>\n<p style=\"padding-left: 40px\"><i><span style=\"font-weight: 400\">\u201cAmado, de alguna manera, tu has capturado<\/span><\/i><\/p>\n<p style=\"padding-left: 40px\"><i><span style=\"font-weight: 400\">Mi coraz\u00f3n en este cuarto tranquilo.<\/span><\/i><\/p>\n<p style=\"padding-left: 40px\"><i><span style=\"font-weight: 400\">Pero no tengo miedo, cari\u00f1o.<\/span><\/i><\/p>\n<p style=\"padding-left: 40px\"><i><span style=\"font-weight: 400\">En alg\u00fan lugar en el silencio,<\/span><\/i><\/p>\n<p style=\"padding-left: 40px\"><i><span style=\"font-weight: 400\">Voy a robar el tuyo.\u201d<\/span><\/i><\/p>\n<h3 style=\"padding-left: 40px\"><\/h3>\n<p style=\"padding-left: 40px\"><span style=\"font-weight: 400\">\u2018Beloved, somehow, you have captured<\/span><\/p>\n<p style=\"padding-left: 40px\"><span style=\"font-weight: 400\">My heart in this dusky, quiet room.<\/span><\/p>\n<p style=\"padding-left: 40px\"><span style=\"font-weight: 400\">But I am not afraid, darling.<\/span><\/p>\n<p style=\"padding-left: 40px\"><span style=\"font-weight: 400\">Somewhere in the silence,<\/span><\/p>\n<p style=\"padding-left: 40px\"><span style=\"font-weight: 400\">I will steal yours.\u2019<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Phyllis Houseman<\/b><span style=\"font-weight: 400\"> was born in Detroit, did Peace Corps training at the College Park Campus, and has published several novels and short stories.<\/span><\/p>\n<hr \/>\n<h3><strong>[sick]stemic<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Dean Gessie<\/span><\/p>\n<p><span style=\"font-weight: 400\">I take my black skin out for a walk<br \/>\n<\/span><span style=\"font-weight: 400\">I collar and muzzle and leash<\/span><\/p>\n<p><span style=\"font-weight: 400\">I let my black skin exercise its freedom<br \/>\n<\/span><span style=\"font-weight: 400\">within the chain-linked fence of black skin parks<\/span><\/p>\n<p><span style=\"font-weight: 400\">until one day bleeds into another and<br \/>\n<\/span><span style=\"font-weight: 400\">(for the Juneteenth time) my black skin\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">presents its collar and muzzle and leash<br \/>\n<\/span><span style=\"font-weight: 400\">and unconditional love<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Dean Gessie<\/b><span style=\"font-weight: 400\"> is an author and poet who has won multiple international prizes.<\/span><\/p>\n<hr \/>\n<h3><strong>Two Pleases<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">J.B. Wilde<\/span><\/p>\n<p><span style=\"font-weight: 400\">I was born in 1965. Things have gone well; I\u2019ve done enough. Last year a girl on our block was diagnosed with cancer. I walked Lucky past her house late at night and prayed Moses\u2019s prayer: Please, God, heal her, <\/span><i><span style=\"font-weight: 400\">please!<\/span><\/i><span style=\"font-weight: 400\"> Two <\/span><i><span style=\"font-weight: 400\">pleases<\/span><\/i><span style=\"font-weight: 400\">. Months later I got sick. The girl, thank God, is doing well.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>J.B. Wilde<\/b><span style=\"font-weight: 400\"> lives with his family near Chicago.<\/span><\/p>\n<hr \/>\n<h3><strong>Mom\u2019s Garden<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Cheryl Somers Aubin<\/span><\/p>\n<p><span style=\"font-weight: 400\">She would get a cup of water, place her finger on the curved edge of the lamp, water the garden painted on the side. Alzheimer\u2019s stole her memory but not this, the love and care of the flowers she\u2019s remembered to water. We remove the lamp, her hands will reach but not find her garden.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Cheryl Somers Aubin<\/b><span style=\"font-weight: 400\"> is an essay and fiction writer and the author of <\/span><i><span style=\"font-weight: 400\">The Survivor Tree: Inspired by a True Story<\/span><\/i><span style=\"font-weight: 400\">.<\/span><\/p>\n<hr \/>\n<h3><strong>He\u2019ll Be Perfect After a Trim<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Gina Burgess<\/span><\/p>\n<p><span style=\"font-weight: 400\">Katie patted Mummy\u2019s bulbous belly. \u201cIf it\u2019s a boy, can we swap him?\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400\">Mummy laughed. \u201cNo. A baby\u2019s like a haircut. You\u2019re stuck with whatever you get.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400\">But Katie remembered her last haircut. She\u2019d cut it herself, then Mummy fixed it with scissors.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">That night as Mummy slept, Katie perched on the bed, scissors ready.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>G.B. Burgess\u2019<\/b><span style=\"font-weight: 400\"> five brothers inspired this story. For more:\u00a0<\/span><a href=\"http:\/\/email.email.submittable.com\/c\/eJwdjU0OgyAYBU8jSwIfILJgUbW9B38qDVYDGK9f2uRtXiaZ8dpLLxSKGggQSgkHxgZGMMWTFHMPIx_m5wQwko6TsJuYcLnsHms1NgXsjh1t2gkjIDgquaLKGOdkk_aLArJYoaxFSW-1nqVjjw5ebau1V15DKXeONRR8H9mfuf2fsHGU9R1SDfl9XPljUmuv_3bDXyWROEU\"><span style=\"font-weight: 400\">gbburgesswrites.wordpress.com<\/span><\/a><span style=\"font-weight: 400\">.<\/span><\/p>\n<hr \/>\n<h3><strong>A Thought of Her<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Catherine Stanley<\/span><\/p>\n<p><span style=\"font-weight: 400\">The day my mother died, the earth moved ever<br \/>\n<\/span><span style=\"font-weight: 400\">so slightly, as if music was off key, a story sequence in<br \/>\n<\/span><span style=\"font-weight: 400\">odd order, or a movie playing over and over.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Others didn\u2019t notice, as they mourned, but I felt<br \/>\n<\/span><span style=\"font-weight: 400\">the wonder of it, the soft trembling beneath me, changing<br \/>\n<\/span><span style=\"font-weight: 400\">everything forever.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Catherine Stanley<\/b><span style=\"font-weight: 400\"> is a documentary filmmaker, scriptwriter, playwright and poet, whose work has won awards in all categories, as she continues to create with meaning.<\/span><\/p>\n<hr \/>\n<h3><strong>Love in a Rush<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Valerie Peter<\/span><\/p>\n<p><span style=\"font-weight: 400\">It was a miserable, wet and cold morning. Waiting for the train across the opposite platform, our eyes met. Suddenly the trains came between us. l bowed my head and muttered quietly, &#8220;I&#8217;ve lost him.\u201d The trains pulled away once again, our eyes met. Today we celebrate our love in a rush 40th years on.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Valerie Peter<\/b><span style=\"font-weight: 400\"> is from London and now lives in Southwest England. She has a deep passion for writing, but has never had the courage to submit anything, until now.<\/span><\/p>\n<hr \/>\n<h3><strong>American Prayer<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Todd Heldt<\/span><\/p>\n<p style=\"padding-left: 40px\"><span style=\"font-weight: 400\">God bless this mass murder,<br \/>\n<\/span><span style=\"font-weight: 400\">the ones before, and to come.<br \/>\n<\/span><span style=\"font-weight: 400\">Let thoughts and words<br \/>\n<\/span><span style=\"font-weight: 400\">flow downstream to comfort<br \/>\n<\/span><span style=\"font-weight: 400\">the afflicted again,<br \/>\n<\/span><span style=\"font-weight: 400\">again. Hold this rifle<br \/>\n<\/span><span style=\"font-weight: 400\">as you would a pillow or prayer,<br \/>\n<\/span><span style=\"font-weight: 400\">feel its heft and the sex<br \/>\n<\/span><span style=\"font-weight: 400\">in its recoil. Sweet Jesus,<br \/>\n<\/span><span style=\"font-weight: 400\">bless the blood, the children,<br \/>\n<\/span><span style=\"font-weight: 400\">and all the beasts they feed.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Todd Heldt<\/b><span style=\"font-weight: 400\"> decided to let predictive text write his bio. He dreams of artificial intelligence talk radio.<\/span><\/p>\n<hr \/>\n<h3><strong>To a Woman Whose Online Dating Profile Admonishes, \u201cI am an expert at being single. I do it well.\u201d<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Charles Leggett<\/span><\/p>\n<p><span style=\"font-weight: 400\">At being a gal unattached<\/span><span style=\"font-weight: 400\"><br \/>\n<\/span><span style=\"font-weight: 400\">Her acumen&#8217;s likely unmatched.<\/span><span style=\"font-weight: 400\"><br \/>\n<\/span><span style=\"font-weight: 400\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/span><span style=\"font-weight: 400\">Yet because it is &#8220;-men&#8217;s&#8221;<\/span><span style=\"font-weight: 400\"><br \/>\n<\/span><span style=\"font-weight: 400\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/span><span style=\"font-weight: 400\">With which &#8220;acumen&#8217;s&#8221; ends,<\/span><span style=\"font-weight: 400\"><br \/>\n<\/span><span style=\"font-weight: 400\">A pun has been nested and hatched.<\/span><span style=\"font-weight: 400\"><br \/>\n<\/span><span style=\"font-weight: 400\"><br \/>\n<\/span><span style=\"font-weight: 400\">And say what you want about puns,<\/span><span style=\"font-weight: 400\"><br \/>\n<\/span><span style=\"font-weight: 400\">Our words are a river that runs;<\/span><span style=\"font-weight: 400\"><br \/>\n<\/span><span style=\"font-weight: 400\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 While its surface reflects<\/span><span style=\"font-weight: 400\">\u00a0<\/span><span style=\"font-weight: 400\"><br \/>\n<\/span><span style=\"font-weight: 400\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 What our &#8220;good taste&#8221; neglects,<\/span><span style=\"font-weight: 400\"><br \/>\n<\/span><span style=\"font-weight: 400\">Our meanings pair off and shoot guns.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Charles Leggett<\/b><span style=\"font-weight: 400\"> is an actor who\u2019s played more than 55 characters.<\/span><\/p>\n<hr \/>\n<h3><strong>Chocolate<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Alan Harris<\/span><\/p>\n<p><span style=\"font-weight: 400\">Grandpa slipped me my first Kit Kat outside the nursery. Mom\u2019s newborn had chocolate fingertips. Started sucking on them before I was weaned and on my ninth birthday we shared our last Kit Kat at hospice. I leaned in to kiss him. As if to give me a heads-up he whispered: <\/span><i><span style=\"font-weight: 400\">Death smells like chocolate<\/span><\/i><span style=\"font-weight: 400\">.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Alan Harris<\/b><span style=\"font-weight: 400\"> is a hospice volunteer assisting patients in writing memoir narratives, letters and poetry.<\/span><\/p>\n<hr \/>\n<h3><strong>Love Affair<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Patrick Cabello Hansel<\/span><\/p>\n<p><span style=\"font-weight: 400\">Driving dark<br \/>\n<\/span><span style=\"font-weight: 400\">Bronx streets,<br \/>\n<\/span><span style=\"font-weight: 400\">an animal darts out\u2014<br \/>\n<\/span><span style=\"font-weight: 400\">I swerve,<br \/>\n<\/span><span style=\"font-weight: 400\">\u2014I&#8217;m so damn<br \/>\n<\/span><span style=\"font-weight: 400\">protective!\u2014<br \/>\n<\/span><span style=\"font-weight: 400\">but it&#8217;s a rat!<br \/>\n<\/span><span style=\"font-weight: 400\">I swerve back,<br \/>\n<\/span><span style=\"font-weight: 400\">get that bastard,<br \/>\n<\/span><span style=\"font-weight: 400\">crush its feet and head,<br \/>\n<\/span><span style=\"font-weight: 400\">I skid, coffee flies<br \/>\n<\/span><span style=\"font-weight: 400\">all over, papers past<br \/>\n<\/span><span style=\"font-weight: 400\">deadline soaked,<br \/>\n<\/span><span style=\"font-weight: 400\">pleading<br \/>\n<\/span><span style=\"font-weight: 400\">from the floor,<br \/>\n<\/span><span style=\"font-weight: 400\">and in the back<br \/>\n<\/span><span style=\"font-weight: 400\">a baby<br \/>\n<\/span><span style=\"font-weight: 400\">crying in his sleep.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Patrick Cabello Hansel<\/b><span style=\"font-weight: 400\"> is the author of the poetry collections\u00a0<\/span><i><span style=\"font-weight: 400\">The Devouring Land<\/span><\/i><span style=\"font-weight: 400\">\u00a0(Main Street Rag Publishing) and\u00a0<\/span><i><span style=\"font-weight: 400\">Quitting Time<\/span><\/i><span style=\"font-weight: 400\">\u00a0(Atmosphere Press).<\/span><\/p>\n<hr \/>\n<h3><strong>Terrible Shepherds<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Susan Barry-Schulz<\/span><\/p>\n<p><span style=\"font-weight: 400\">After Christmas break she wanders in and<br \/>\n<\/span><span style=\"font-weight: 400\">out of all three empty bedrooms on the<br \/>\n<\/span>second floor. At 3 AM she stops just<br \/>\n<span style=\"font-weight: 400\">outside the master bedroom door with a<br \/>\n<\/span><span style=\"font-weight: 400\">pitiful cry as if to imply that<br \/>\n<\/span><span style=\"font-weight: 400\">we are some kind of terrible shepherds\u2014<\/span><\/p>\n<p><span style=\"font-weight: 400\">sleeping through the night<br \/>\n<\/span><span style=\"font-weight: 400\">without a sheep in sight.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Susan Barry-Schulz<\/b><span style=\"font-weight: 400\"> lives in the Hudson Valley region of New York with one or more of her three adult children. It all depends.\u00a0<\/span><\/p>\n<hr \/>\n<h3><strong>Migration<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Madalena Daleziou<\/span><\/p>\n<p><span style=\"font-weight: 400\">New Year\u2019s Eve found me counting<br \/>\n<\/span><span style=\"font-weight: 400\">how many more roots I must pluck out<br \/>\n<\/span><span style=\"font-weight: 400\">how late it can run before my<br \/>\n<\/span><span style=\"font-weight: 400\">great-grandmother\u2019s ghost finally gets it.<br \/>\n<\/span><span style=\"font-weight: 400\">Possessed by it for twenty winters<br \/>\n<\/span><span style=\"font-weight: 400\">I don\u2019t know what it\u2019s like to not<br \/>\n<\/span><span style=\"font-weight: 400\">have a heart that feels like coming back<br \/>\n<\/span><span style=\"font-weight: 400\">from the market carrying too many apples.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Madalena Daleziou<\/b><span style=\"font-weight: 400\"> is a writer from Greece, living in Scotland, where she studied a Masters in Fantasy Literature. She is currently editing her neo-Victorian novel.<\/span><\/p>\n<hr \/>\n<h3><strong>This Year<\/strong><\/h3>\n<p><span style=\"font-weight: 400\">Wendy Carlisle\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">underfoot, grasses,\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">clover, mixed forbes,\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">a quiddative green,\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">oak and elm, hickory,\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">pleached roots\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">pushed up to ride\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">the surface of the path\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">by rocky soil\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">in the big pasture,\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">fescue and Johnson\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">grasses as tall as a man,<\/span><\/p>\n<p><span style=\"font-weight: 400\">wait for the mower<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Wendy Taylor Carlisle<\/b><span style=\"font-weight: 400\"> lives in the Arkansas Ozarks. She has published four books, including\u00a0<\/span><i><span style=\"font-weight: 400\">The Mercy of Traffic<\/span><\/i><span style=\"font-weight: 400\">\u00a0and\u00a0<\/span><i><span style=\"font-weight: 400\">On the Way to the Promised Land Zoo<\/span><\/i><span style=\"font-weight: 400\">\u00a0and five chapbooks. Her work appears in Mom Egg, Bracken, and upcoming in The Atlanta Review. For more information, check her website at\u00a0<\/span><a href=\"http:\/\/email.email.submittable.com\/c\/eJwljUEOgyAQAF8jR7IgyHrg0Jr6jxUwkGJtEEP8fU2azG2SGW-98XpkyUqQIIRAYXqQyAWfHtqo12Bg7hHlc-oUhI1S5se5bKlWWnLgbt9YtLRKCCbgoDQaXIFgHKRDEF4o47Rm2cZav13_6OR801rjLXz8VenKe3FUcjr-tduyYgsdkTjld6QawnKvz4Vy5cGfP4yqNm4\"><span style=\"font-weight: 400\">www.wendytaylorcarlisle.com<\/span><\/a><span style=\"font-weight: 400\">.<\/span><\/p>\n<hr \/>\n<h3><strong>On Moonless Nights<\/strong><\/h3>\n<p>Eric Botts<\/p>\n<p>Unseen, the Moon carves marionettes in self-portrait and sets them skyward, suspended by the hair of children, night by night, sliver to globe. Though the horizon burns, the night never ends, lurking in shadow as the Moon stalks the Sun. No night is moonless. Grifter, trickster, the Moon mimics newness by the lies of light.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Eric Botts<\/strong> writes essays and produces audio stories in Pittsburgh; he has a day job, but it is not interesting.<\/p>\n<hr \/>\n<h3><strong>The Year You Returned to L.A.<\/strong><\/h3>\n<p>George Uba<\/p>\n<p>Two fives fetched a tank of premium.<br \/>\nMarked ten years in exile after internment.<br \/>\n(A pair of buffalo-head nickels<br \/>\nroamed the prairie where the camp stood.)<br \/>\nCesium was tense and unstable.<\/p>\n<p>The last day I saw you alive,<br \/>\nyou needlessly apologized from your bed<br \/>\nfor my unmissed 55 candles<br \/>\nand cake. Years ignitable\u2014<br \/>\nlike cesium.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>George Uba<\/strong> is author of\u00a0<em>Disorient Ballroom\u00a0<\/em>(Turning Point). His American-born parents were interned during World War II due to their Japanese ancestry.<\/p>\n<hr \/>\n<h3><strong>Ba Bao Fan<\/strong><\/h3>\n<p>Lucy Zhang<\/p>\n<p>We show our spines like a stegosaurus, mold glutinous rice around our bones &amp; decorate them with treasures: dried longan, dates, black sesame, adzuki bean paste, darkened with brown sugar &amp; oil, our backs smoothed &amp; softened &amp; cushioned, so nai nai will say you gained weight! &amp; squeeze our arm\u2013it sinks like tofu sponge under her spindly fingers.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Lucy Zhang<\/strong> writes, codes, watches anime, and can be found on Twitter @Dango_Ramen.<\/p>\n<hr \/>\n<h3><strong>A Railroad Man<\/strong><\/h3>\n<p>Meg Sipos<\/p>\n<p>Isaac plays chicken with the trains every Saturday and walks along the tracks, waiting for the familiar vibrations of the rails while taking swigs from his flask. It\u2019s not that he has a death wish. He just wants his blood hot and ready and flowing. He wants to remember what it\u2019s like to breathe in life.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Meg Sipos<\/strong> is a Pittsburgh-based writer, editor, and podcaster.<\/p>\n<hr \/>\n<h3><strong>Drip<\/strong><\/h3>\n<p>Leeor Margalit<\/p>\n<p>We are in his apartment in the tiny shower together which is to say we are naked and we are touching and yet honesty is much more intimate than sex and by that I mean I could live in this moment forever but eventually, the water will run cold and his patience will run out.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Leeor Margalit<\/strong> (@leeormargalitpoems) is a 22-year old from Southern California currently living on a kibbutz in Israel.<\/p>\n<hr \/>\n<h3><strong>I Create a Paint Color \/ I Name Crushed Haze<\/strong><\/h3>\n<p>Dorian Kotsiopoulos<\/p>\n<p>You spoke to me about the delicacy<br \/>\nof watercolor, how the grey green<br \/>\nsilvery blue of beach grass was muted<br \/>\nbut somehow velvet rich.<\/p>\n<p>I wanted you to touch my breast.<br \/>\nI wanted to know where you\u2019ve been.<br \/>\nMostly, I wanted to know why you left.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Dorian Kotsiopoulos\u2019<\/strong> poems have appeared in literary magazines, including Poet Lore, Salamander, and Smartish Pace.<\/p>\n<hr \/>\n<h3><strong>Legacy<\/strong><\/h3>\n<p>Grace Song<\/p>\n<p>In the Museum of Civilization, there are hundreds of hummingbirds. Their throats darken into red lilies. Feathers gleam with beetle scales. When I take their photo, the camera melts the birds into silhouettes. Everything washes away, except the tags on each curled foot. They glow like emerald eyes, a jaguar\u2019s face hidden in the dark.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Grace Q. Song<\/strong> is a Chinese-American writer from New York.<\/p>\n<hr \/>\n<h3><strong>Art Lessons<\/strong><\/h3>\n<p>David Slay<\/p>\n<p>At some point the paintings would seem finished. Standing beside me, my teacher would quietly regard my work. Taking my brush in his hand, he would add a few strokes here and there. I always was surprised to see what had been missing. I had learned the craft, but he made the art.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>David K. Slay\u2019s<\/strong> short fiction and creative nonfiction can be found in a group of diverse literary journals\u2014most recently in\u00a0<em>Toho Journal Online<\/em>, and nonfiction craft articles are in\u00a0<em>CRAFT Literary\u00a0<\/em>and Submittable&#8217;s \u201cContent for Creatives\u201d blog.<\/p>\n<hr \/>\n<h3><strong>Next<\/strong><\/h3>\n<p>Lilia Marie Ellis<\/p>\n<p>Half perfect\u2014like a hill smoothed with footprint and snow in ashen aftermath, alabaster, the forfeited life regained again as new\u2014I don\u2019t know what I\u2019ve reached, there are no stars in the sky to hold it up to. Is this joy, having arrived at last, or my best impression? Would it make a difference?<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Lilia Marie Ellis<\/strong> is a trans woman writer from Houston. Her work has appeared in publications including The Nashville Review. Follow her on Twitter\/Instagram @LiliaMarieEllis!<\/p>\n<hr \/>\n<h3><strong>In Praise of Rude Awakenings<\/strong><\/h3>\n<p>Sharman Gazaway<\/p>\n<p>That cold splash<br \/>\nthe gasp\u2014chill slick<br \/>\ndown your spine\u2014<br \/>\nhard flat facts<br \/>\nslam ham-fisted<br \/>\ninto your gut<br \/>\nsome heat-lit thing inside<br \/>\nturns and burns<br \/>\npig on a spit<br \/>\nclarity\u2019s smoke<br \/>\nstings your eyes<br \/>\neyelids stutter. No<br \/>\nwarning no pricking of thumbs<br \/>\nyet still it has come<br \/>\nwith a clap.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Sharmon Gazaway<\/strong> writes from the deep south in multiple genres and her work is in\u00a0<em>Daily Science Fiction, Tiny Spoon, Backchannels, The Society of Classical Poets,\u00a0<\/em><a href=\"http:\/\/microverses.net\/\"><em>microverses.net<\/em><\/a><em>: Octavos\u00a0<\/em>and more.<\/p>\n<hr \/>\n<h3><strong>Postmodern Courtship<\/strong><\/h3>\n<p>K.S. Dearsley<\/p>\n<p>On the back of the card, he had written: &#8220;Marry me.&#8221;<\/p>\n<p>The front showed two monkeys eating fruit. Was the large monkey protecting the small one? Was it maternal or macho? Were they sharing their spoils or squabbling? Or stealing forbidden pleasure? Perhaps they were simply two monkeys eating fruit.<\/p>\n<p>She threw the card away.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>K.S. Dearsley&#8217;s<\/strong> fiction is the result of reading too much as a child. Her work has appeared in publications as diverse as StoneStone and Diabolical Plots.<\/p>\n<hr \/>\n<h3><strong>Disabled Like Me<\/strong><\/h3>\n<p>Jon Fain<\/p>\n<p>When I\u2019m out rolling, people stare. Not long ago some older dude made a show of stopping and saluting, so there\u2019s at least two reasons I\u2019m staying in these days. I\u2019m not your flag. I\u2019m not a sweetener for your sour conscience. I\u2019m the bad dream you missed, the difference between night and day.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Jon Fain<\/strong> has other smidgen fictions in 50 Word Stories, Molecule Tiny Lit Mag, and The Dribble Drabble Review.<\/p>\n<hr \/>\n<h3><strong>Egg<\/strong><\/h3>\n<p>Samantha Pilecki<\/p>\n<p>\u201cYou need a shower,\u201d said Julie, eyeing her son. He was saturated with sweat and still wearing his dusty track uniform.<\/p>\n<p>\u201cNo I don\u2019t,\u201d he said.<\/p>\n<p>Julie didn\u2019t hesitate. She went to the fridge and got out an egg. She cracked it on his forehead. The white trickled down, leisurely.<\/p>\n<p>\u201cNow you do,\u201d she said.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Samantha Pilecki<\/strong> works as a librarian and therefore enjoys librarian-y things, such as smoking cigars, caring for rats, and reading tarot cards.<\/p>\n<hr \/>\n<h3><strong>License<\/strong><\/h3>\n<p>Mir-Yashar\u00a0Seyedbagheri<\/p>\n<p>Once I was young and counted license plates. Memorizing<br \/>\nstates conveyed careful observation.<\/p>\n<p>Now the virus invades once-exotic letters.<\/p>\n<p>I consider reporting visitors, think of familiar names felled.<\/p>\n<p>But I imagine chasing plates, Quixote reincarnated, while the virus watches in the shadows.\u00a0 I imagine people wearing fear, bewilderment, and amusement.<\/p>\n<p>I laugh. I\u2019ve cried enough.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Mir-Yashar\u00a0Seyedbagheri<\/strong>\u00a0is\u00a0a graduate of Colorado State University and\u00a0has had\u00a0work nominated for the Pushcart.<\/p>\n<hr \/>\n<h3><strong>Hiding<\/strong><\/h3>\n<p>Kathleen Castro<\/p>\n<p>Fires burn things<br \/>\nso they can lie.<\/p>\n<p>Let&#8217;s hide behind them tonight.<\/p>\n<p>Our hands are glass<br \/>\nand our tongues, ice.<\/p>\n<p>Bring the logs, fry us down.<\/p>\n<p>I&#8217;m shaking, they&#8217;re singing.<br \/>\nI&#8217;m talking, they&#8217;re screaming.<\/p>\n<p>Turn up the small talk, drown pain out.<\/p>\n<p>Fires burn things<br \/>\nso they can lie.<\/p>\n<p>Go ahead, hide behind them tonight.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Kathleen Castro <\/strong>is an Ecuadorian-American English major at Miami-Dade College in Downtown Miami.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Welter 55 Finalists &nbsp; Notification Anthony Lechner NOTIFICATION: You or someone you know has thought about paradise recently. We regret to inform you that paradise is running at full capacity <a class=\"more-link\" href=\"https:\/\/blogs.ubalt.edu\/welter\/contest\/welter-55-finalists\/\">Continue Reading &rarr;<\/a><\/p>\n","protected":false},"author":1272,"featured_media":0,"parent":376,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blogs.ubalt.edu\/welter\/wp-json\/wp\/v2\/pages\/568"}],"collection":[{"href":"https:\/\/blogs.ubalt.edu\/welter\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ubalt.edu\/welter\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ubalt.edu\/welter\/wp-json\/wp\/v2\/users\/1272"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ubalt.edu\/welter\/wp-json\/wp\/v2\/comments?post=568"}],"version-history":[{"count":32,"href":"https:\/\/blogs.ubalt.edu\/welter\/wp-json\/wp\/v2\/pages\/568\/revisions"}],"predecessor-version":[{"id":2058,"href":"https:\/\/blogs.ubalt.edu\/welter\/wp-json\/wp\/v2\/pages\/568\/revisions\/2058"}],"up":[{"embeddable":true,"href":"https:\/\/blogs.ubalt.edu\/welter\/wp-json\/wp\/v2\/pages\/376"}],"wp:attachment":[{"href":"https:\/\/blogs.ubalt.edu\/welter\/wp-json\/wp\/v2\/media?parent=568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}